
Working across painting, printmaking and drawing, Zeynep Ozkan builds brief, evocative episodes that are sensuous and intimate. Her paintings are a way to acknowledge and cherish the subtle, transitory nature of life.
Intuition, colour and memory are fundamental parts of her process. She starts with quick observational drawings that are bare, leaving room for her to be inventive when re-working them in the studio using predominantly oil paint. She is interested in conveying the essence with the rawest and most direct kinds of marks, painterly gestures, and abstract forms.
She works fast adopting a wet-on-wet technique using gestural and economical brushwork. Although her work often starts from something observed, it does not attempt to truthfully recreate reality. Instead, she is concerned with capturing the ‘particularity’ of a moment blending elements of reality with imagination. An image, story or form emerging from lived experiences has the potentiality of carrying a deeper dimension within. It is this potentiality that inspires her. She aspires her work to occupy a space between a realist sense that there are people and things in the world that can be known, and a modernist attention to layers and brushstrokes, and the flatness of paint.
zeynep.ozkan@gmail.com
︎ @zozkan
Intuition, colour and memory are fundamental parts of her process. She starts with quick observational drawings that are bare, leaving room for her to be inventive when re-working them in the studio using predominantly oil paint. She is interested in conveying the essence with the rawest and most direct kinds of marks, painterly gestures, and abstract forms.
She works fast adopting a wet-on-wet technique using gestural and economical brushwork. Although her work often starts from something observed, it does not attempt to truthfully recreate reality. Instead, she is concerned with capturing the ‘particularity’ of a moment blending elements of reality with imagination. An image, story or form emerging from lived experiences has the potentiality of carrying a deeper dimension within. It is this potentiality that inspires her. She aspires her work to occupy a space between a realist sense that there are people and things in the world that can be known, and a modernist attention to layers and brushstrokes, and the flatness of paint.
zeynep.ozkan@gmail.com
︎ @zozkan
Education
2019 The Royal Drawing School, London, Postgraduate Scholarship, The Drawing Year.
2000 MA in Philosophy UCL, London, UK
2019 The Royal Drawing School, London, Postgraduate Scholarship, The Drawing Year.
2000 MA in Philosophy UCL, London, UK
Group exhibitions
Life on Venus II, The Tub & The Auction Collective, February 2021
Curated for Covid, May 2020
The Drawing Year - End of Year Exhibition, Royal Drawing School Gallery, Nov 2019-Jan 2020
The Drawing Year - Open Studios, SPACE Studios, December 2019
Best of the Drawing Year 2019, Christie’s, London, November 2019
Greek Street Art Show: Group exhibition at Gallery Maison Bertaux in Soho, London.
Residencies
Dumfries House, Scotland, October 2024
Borgo Pignano, Italy, December 2022
Borgo Pignano, Italy, July 2019
Collections
Sir Michael Moritz KBE
The Royal Collection